There’s a man onstage and he’s pretending to be a bird. He’s
trying to fly and he’s attempting birdsong and he’s migrating to the city. He’s
throwing feathers in the air and jumping off a box. He’s cooing and bouncing
around the stage.
There is always a weird moment in the theatre at the Fringe
when you say to yourself “is this a joke?” Often it isn’t and you’ll have to
find some way to muster a sincere response to something that you have found
quite moronic, which is hard but can sometimes be quite rewarding – there are
plenty of shows that have started with my “Oh, you’ve got to be kidding me.”
that have ended up under my skin – and while I’m convinced that Mechanimal was aware of its silliness –because a bearded man pretending to be
a bird is funny and all the
stoney-faced audience members in Zoo needed a reminder of that, in my opinion –
once I moved past that silliness the
show opened up for me.
It appeared to me to be about trying to decentre the human
within the narrative. There was a story about researchers on birds who study
their navigation via the stars and their measuring and recording their
birdsongs and noticing the ways in which human interventions in the environment
like cities and artificial light have damaged the birds’ natural capacities.
But the piece did a neat trick of centring not on the researcher, but the birds
– and metatheatrically putting the audience in the position of the researchers
and the performer, or the performer attempting-to-be-bird, in the position of
the bird (or maybe the human who desires to be more birdlike). I don’t know
really. It seems to me a lot more complicated the further I get from it.
But I think what I felt really satisfied by was that I
seemed to, in a really fascinating trick, have learned loads. Without having a boring scene where two people talk
about birds and their flight-patterns, the piece made me genuinely interested
in the environmental impact on birds and informed me, while offering some
really complex theatrical tricks.
I liked it a lot.
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